Blog Post 3 –
Tartuffe Acts IV-V
Tartuffe: Your love is the restorer of my soul;
And yet I must beg leave, now, to confess
Some lingering doubts as to my happiness
Might this not be a trick? Might not the catch
Be that you wish me to break off the match
With Mariane, and so have feigned to love me?
I shan’t quite trust your fond opinion of me
Until the feelings you’ve expressed so sweetly
Are demonstrated somewhat concretely…
And you have shown, by certain kind concessions,
That I may put my faith in your professions…
Assuage my keen desires, and feel no dread:
The sin, if any, shall be on my head…
No one shall know our joys, save us alone,
And there’s no evil till the act is known;
It’s scandal, Madam which makes it an offense,
And it’s no sin to sin in confidence.
(Act IV, Scene V, 56-66, 109-110, 118-121)
At the end of Act IV, Elmire sets a
clever and deceitful trap for Tartuffe in one last effort to prove to Orgon his
true character. She meets Tartuffe in a private room where he believes they are
alone and she attempts to convince him of her love for him, in hopes of leading
Tartuffe to act immorally on his attraction to her and show his true character.
While the room seems private to Tartuffe, the setting for this major scene is,
in fact, quite deceiving. Elmire instructed Orgon to hide under a large table
to witness the scene and hopefully discover what kind of man Tartuffe truly
is. Although Tartuffe is incredibly
interested in Elmire’s supposed affection for him, he is naturally distrustful
of her since he himself is an untrustworthy man, stating, “I shan’t quite trust
your fond opinion of me.” For this reason he asks that Elmire demonstrate her
feelings for him with actions instead of just words so he can know for certain
that she means what she says. Despite not taking Elmire’s word for her love,
not even he imagined how sly Elmire was in her plan and never considered that
her own husband was actually in the room with them listening to his every word.
Elmire is, in a sense, forced to stoop to Tartuffe’s immoral, dishonest, and
deceitful ways in order to expose him. This makes Tartuffe’s earlier comment
that “any wrongful act… may be redeemed by purity of intention” incredibly tongue-in-cheek
because she is, in a sense, using his own logic against him and beating him at
his own game. Tartuffe’s comments at the end of the passage that “no one shall
know our joys, save us alone,” and “it’s no sin to sin in confidence” are made
extremely ironic by the setting in which he says them, since they are not
actually alone and Orgon is there to witness everything. Tartuffe merely
exposes his own deceitful ways and his lack of morality and character
The setting for this scene not only
causes a turning point in the play, since Orgon finally comes to his senses and
recognizes what kind of man Tartuffe really is, but it also embodies the point
of the play as a whole. One must always be wary of dishonest and deceitful men
since it is easy to be blind to deception if you are not careful, but also
that, in the end, the truth will always come out, and a life of deception will
eventually catch up to you and get you in trouble. Tartuffe was just as blind
to Orgon’s presence in the scene described as Orgon was to Tartuffe’s true
character, but, just as Orgon revealed himself after a period of time to
Tartuffe, so did Tartuffe’s dishonest and immoral ways.
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