ACT
II
621-626
Rosaura:
Rosaura?
Sir,
you mistake me for some old lady.
I am
Astrea, and my humble station
Deserves
no perturbation such as yours
Astolfo:
Enough of this pretense, Rosaura, since
The
soul can never lie. Though as Astrea
I
see you now, I love you as Rosaura
664-666
Astolfo:
Enough, my dear
Rosaura!
Rosaura:
I, your dear? You lie, you villain!
691-695
Rosaura:
It is not mine?
Stella:
Why, who could doubt it?
Rosaura:
Ask him for the other.
Stella:
Here, take your own, Astrea. You may leave us.
Rosaura:
Now I have got my portrait, come what will.
This part of Act II takes place near
the end in the hall of the palace, presumably near the throne room. In this
excerpt, Stella tells Rosaura (Astrea) that Astolfo has the portrait of another
woman around his neck. Next, she tells Rosaura to fetch the portrait for her.
When Rosaura goes to get the portrait, Astolfo recognizes her and professes his
love. While the two are arguing, Stella comes back and Rosaura makes up a story
that the portrait is hers and Astolfo still has his hidden.
As this portion takes place in the
palace, it emphasizes the gravity of the situation. Astolfo and Stella are the
future rulers, yet he is adorned with the portrait of another woman, a maid. Not
only is it taboo that he is seemingly in love with another woman, that woman is
thought to be of low class, someone unsuitable. Setting this part within the
castle, near the throne, makes the love triangle more severe. This isn’t just
another love story, it is how the king to be loves someone besides the queen to
be.
This ‘point’ is then magnified as it
deals with nobility within the palace walls. The fact that all of this is
happening to the princess, duke, king, etc. makes the purpose that much more
significant. Yes, things, scandals, happen daily in the lives of commoners, but
any scandal in the noble family is magnified; the royal family is one to look
up to, an example of sorts. The fact that they are dealing with a love
triangle, as well as imprisonment of Segismund, is huge.
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