Blog Prompt #5 The Glass Menagerie
Wan-Ting Lin
In this play “The
Glass Menagerie,” the playwright Tennessee Williams uses the device of the “memory
play” to present this drama, trying to build an unrealistic atmosphere on the
stage. Unlike other playwrights, he devotes himself to focusing on not only the
script but also the setting of the play. He skillfully uses the screen, the
music, and the lighting to keep with the atmosphere of memory, making the audience
get into the special feeling of characters’ emotions. By using the unrealistic
setting, the playwright tries to present a realistic portrait of a poor family
during the depression era which is totally different from other realistic
dramas.
The setting is very important in this play.
In scene one, the prologue takes a big part in order to prepare a suited
atmosphere for the drama. Also, the prologue works as the guidance for actors
to follow, helping them get into the characters’ moods easily. The impressive
feature of the setting is the transparency. The playwright sets a transparent
wall along with the transparent gauze portieres, and the movements of the
characters’ are also somehow transparent. By using the transparent food and
utensils, the characters need to pretend that they are using the real things in
the performance. This “transparency” also relates to the transparent glass
animals which Laura loves to look at. The transparent things symbolize the
unrealistic memory which widely appears in this play. This memory as the main
focus of the play also relates to the playwright’s own experience. That is,
this play indeed is the reminiscent of Tennessee Williams’ family story.
Legend on
screen: “After the fiasco—“
Tom speaks
from the fire escape landing.
Tom: After
the fiasco at Rubicam’s Business College, the idea of getting a gentlemen caller
for Laura began to play a more and more important part in Mother’s
calculations. It became an obsession. Like some archetype of the universal
unconscious, the image of the gentlemen caller haunted our small apartment….
(Screen
image: A young man at the door of a house with flowers.)
….
(Screen
image: The cover of a glamor magazine.)
(Amanda
enters with the telephone on a long extension cord. She is spotlighted in the
dim stage.)
….
(The scene
dims out.)
(Legend on
screen: “You think I’m in love with Continental Shoemakers?”)
(Before the
lights come up again, the violent voices of Tom and Amanda are heard. They are
quarreling behind the portieres. In front of them stands Laura with clenched
hands and panicky expression. A clear pool of light is on her figure throughout
this scene.)
In scene three, Williams uses the light and
the screen a lot in order to present a nostalgic feeling to the audience. The
function of the screen can be seen as the guide for audience to follow. In this
scene, the character Tom acts as the narrator of the play as well, telling the
background story to the audience. The screen changes because of the description
of his narration. It not only shows the background information of the story,
but the playwright also uses it to represent the characters’ inner thoughts. This
stage application “the screen” is an innovation of the performance at that time,
and it influences the later plays as well. As to the using of the light, it
makes the drama more unrealistic because of the color on the stage influence
the mood of the audience. The dim stage gives a nostalgic feeling in the play,
representing an old story of the family. The use of the spotlight makes
audience easier to follow the aim on the stage, which can be related to the
memory as well.
The playwright’s purpose of using the innovation
device is to present a different thinking method to the audience. He tries to
create a new theater which matches his plays in order to persuade a better
quality of his drama. Also, the background of Tennessee Williams influenced his
career a lot. The great depression and his family situation make him think about
the helplessness and the loneliness of human beings. That may be the reason why
he tries to make a sensational setting to present the true feeling of
unrealistic memory.
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